ABOUT

For many years I worked in what I thought was a series of unrelated mediums—painting, printmaking, collage, stitching, digital drawing, and blind embossing—following curiosity wherever it led.

But, as I’ve looked back across nearly six decades of work, something has become clear:

The mediums had changed.

The visual language had not.

What I once saw as separate bodies of work have revealed themselves to simply be different expressions of the same ongoing conversation.

I recognized that many of these works inhabited the space where seemingly opposite ideas coexist: structure and atmosphere, stillness and movement, the visible and the sensed. And I became aware of certain forms that had quietly accompanied me all along: circles, gentle curves like commas, veils, thresholds, and the spaces between.

Together, these realizations changed how I think about my practice—and how I've organized this website.

Rather than separating work by medium, you'll find paintings beside embossings, collages beside digital drawings, and recent work alongside pieces made decades ago. Together they tell a more complete story than chronology ever could.

My work continues to evolve, and so does my understanding of it. I occasionally write Field Notes that, among other things, talk about what I'm discovering in the studio as those connections continue to emerge.

I'm so glad you're here.

Some things never really change